Iron Man 2020 #1 (Marvel Comics)
We’re officially in the future year of 2020, and that means that the Iron Man of 2020, long thought of a as a far away villain, is now a modern day threat. Or is he? That’s the main crux of Dan Slott, Christos Gage, and Pete Woods’ Iron Man 2020 #1, which finds Arno Stark, not Tony, in the Iron Man armor of the future, taking down the threats that could potentially lead to the destruction of the world around him. Read the rest of this entry
Absolute Carnage #1 (Marvel Comics)
It’s coming a little later this year, but we finally have this year’s major Marvel Summer event. Instead of a threat from beyond, this time the Marvel Universe is facing a Spidey-themed threat in the form of Carnage. Powered by the evil symbiote god Knull, Cletus Kasady is making up for lost time, and in Donny Cates and Ryan Stegman’s opening issue of Absolute Carnage, he’s making sure that everyone will remember his name.
Life’s been strange for Eddie Brock. Well, stranger than usual. Removed from his symbiote other, Brock has to take care of his estranged son (who doesn’t know he’s his son) while staying one step ahead of the police, who are on his trail for a being set up by Cletus Kasady. This would all go a lot smoother if Eddie still had his symbiote, but unlucky for him, it’s nowhere to be found, and Kasady is getting closer and closer to Eddie. But Kasady’s not only going after Eddie, he’s also going after every single person who’s ever worn a symbiote, which is quite a lot of people.
Donny Cates has hyped this event up a lot, and so far, he’s delivering the goods. His script succinctly recaps his run on Venom, and more importantly it sets up Carnage as an even bigger threat than he already is. There’s a strong sense of dread throughout the issue, and that comes from Cates’ carefully plotting the seeds for this event throughout his Venom run. Cates’ long-game strategy is paying off beautifully so far, and I can’t wait to see what other developments spring from it.
Ryan Stegman has been hard at work on this series, and it really shows. Stegman’s art has always been impressive, but it’s increased ten-fold with this issue. Stegman’s already impressive figure work and compositions are heightened, and they really make Cates’ script stand out. While Stegman’s Eddie Brock still looks physically imposing, he has an air of sadness to him that really comes through his body language. Brock’s clearly at his lowest point, but it’s going to be great seeing Stegman give him the heroic moment he deserves.
So far Marvel’s been on a pretty good streak with their big events, and it looks like Absolute Carnage will be another slam dunk for them. While it’s easy to jump into this event cold, you’ll probably get more if you read the start of Cates and Stegman’s Venom run, which is also pretty awesome to boot. For now though, Carnage has come calling, and it’s going to be hell for Marvel’s heroes.
Coffin Bound #1 (Image Comics)
A mix of Tim Burton and Mad Max, Coffin Bound is the latest title from Image Comics, and it’s pretty weird. Focusing on Izzy, a girl who’s being chased by an unstoppable creature called the Eartheater, the Dan Watters written, Dani drawn first issue is definitely one of the weirder comics on the stands. So weird, in fact, that it’s kind of hard to explain. There’s shades of David Lynch in this comic, but also grindhouse fare like Death Proof and a little bit of Evil Dead too. It leads to a book that’s pretty hard to follow, but definitely has it’s own unique style.
Watter’s script drops you right into the center of the action, and doesn’t give you a lot of time to find your footing. While usually I’m able to catch up pretty quickly, I don’t think this was the right call for this comic. Sure, dropping your reader into a universe is a viable way to start your story, but it has to be done in a specific way. Watters’ script just makes you feel disoriented, and it never really recovered for me.
Dani’s art is pretty pitch perfect for this issue. It fits the grindhouse style perfectly, and her weird monster designs are plenty creepy. Hopefully this book, which has a lot of hype around it, will help push her career onto more high profile books, as her work has a very unique look to it that seems to be plenty malleable for other genres.
While Coffin Bound didn’t quite work for me, I have to admit that it’s cool that it plays by its own set of rules. I’m sure this book will find plenty of people to give it a shot, and plenty more of them will want to keep up with it. As for me, it was a neat little diversion that unfortunately was not for me.