Category Archives: Comic Books
One of my all time favorite Marvel villains is finally getting the MCU treatment in Black Widow: Taskmaster. The Avengers baddie has long been on my shortlist of characters that I’ve wanted to see on the big screen, and his abilities seem tailor made for the MCU. Gifted with “photographic reflexes”, Taskmaster has the ability to mimic the fighting abilities of anyone he fights. Sure, he can’t match the strength of Spider-Man or Cap, but being able to pull their same moves on them (and others), makes him a formidable foe, and makes Tony Masters one of the most underrated baddies in the Marvel universe. Brash, arrogant, and loyal only to whoever pays him the most, Taskmaster is a wicked fun villain who’s been due for the MCU spotlight for a long time now.
So why is he so silent in all of the trailers for Black Widow? Read the rest of this entry
Now that Morbius, the next Sony movie that’s a spin off that won’t feature Spider-Man, is finished and being released later this year we finally have an idea of what’s in store for us when it comes to the post- New Deal that Sony and Disney have made. As depicted in the first trailer for the film, Jared Leto’s Michael Morbius walks down a hallway, and we hear the sound of Michael Keaton, and then see Keaton himself address the living vampire in an obvious ploy to connect this film to the larger MCU. Read the rest of this entry
At long last, we’ve finally got our first look at Robert Pattinson’s Batman outfit, and it looks…pretty sweet! Eschewing the more grounded take that Batman V Superman had (and I was a fan of), Pattinson’s new Batsuit is like a cool mix between the Arkham Games and a little bit of Sean Murphy’s White Knight look, and it’s definitely something that fits right into what director Matt Reeves described as “something Bruce Wayne would make for himself”. Read the rest of this entry
Birds of Prey (2020)
Starring: Margot Robie, Jurnee Smollet-Bell, Mary Elizabeth Winstead, Ewan McGregor, Rose Perez, Chris Messina
Directed By: Cathy Yan
As the DCEU transitions from trying to copy Marvel Studios into a more “director-driven” studio, it’s opened up numerous directors to try new things with the DC stable of characters. Obviously we all know the results of Todd Phillips’ Joker, but what about a character that was already established fairly well in a previous mega successful (financially) film for the studio? Enter Birds of Prey, otherwise known by its much longer title, Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn. A movie that’s both kind of a sequel to Suicide Squad and also another turning point for the studio post-Synderverse, the Margot Robie starring vehicle from director Cathy Yan is a surprisingly fun ride that has plenty of charm, but not without some faults. Read the rest of this entry
It’s the dawn of a new year and a new decade, which means that it’s time to do what we nerds do best: look at the upcoming releases and take a guess as to what we’re looking forward to the most! From Natasha Romanoff getting her own solo film to the debut of Locke and Key on Netflix, there’s a whole host of nerdy goodness coming our way this year, so let’s take a look at what’s coming our way! Read the rest of this entry
The year of our lord 2019 was a bit of a mess in a lot of ways, but when it came to pop culture, you’d never have known it. From finally hearing the words “Avengers Assemble” on the big screen to being acquainted with a little guy we’ve all called “Baby Yoda”, 2019 sure had a lot of fantastic things to distract us from the hell place we currently call “reality”. And as I realize how depressing this all sounds, it probably stands to say that I should move on with this intro and get into the cool stuff from this year! Read the rest of this entry
HBO’s Watchmen is ambitious, unparalleled, and ahead of its time. Damon Lindelof took the sacred text of Alan Moore and Dave Gibbons and not only breathed new life into it, he also cast the whole original text in a brand new light with the additions he made with the new series. It’s not only one of the best shows of the year, I’d argue it’s THE best show of the year, and is one of the best comic book adaptations of all time. Read the rest of this entry
Green Arrow. Supergirl. The Flash. Batwoman.
With the exception of the Scarlet Speedster, none of those names should resonate with your average pop culture fan. But thanks to the CW, those characters are not only well-known, but are arguably more successful than their big screen counterparts. That’s entirely due to the work of Greg Berlanti, the man behind all of the CW’s DC adaptations, which make up almost 80% of the series they air. Looking at the network now, it’s nearly impossible not to think of them as the “DC Network”, and their adaptations of these lesser-known heroes has lead to the biggest crossover of them all: Crisis on Infinite Earths. Read the rest of this entry
Years ago, Dan Slott attempted to do the impossible: make a lasting change to Spider-Man by having his body taken over by the mind of Doctor Octopus. It shouldn’t have worked. It couldn’t have worked. But it did. The Superior Spider-Man made a huge impact in the world of Spider-Man, and those results are still felt today in the world of the wall-crawler. Sure, Peter’s been running around back in his body for a few years now, but Doctor Octopus has also been active as the Superior Spider-Man, inhabiting one of the few Peter Parker clone bodies that The Jackal left intact after the events of “Dead No More” (I’d do a full recap, but no one wants to read that). Otto’s been so busy, in fact, that he had his very own ongoing series following his exploits for the past year. Read the rest of this entry
I have a confession to make: I wasn’t looking forward to Jonathan Hickman on the X-Men.
Sure, the hype was there, but as someone who really enjoyed Matthew Rosenberg’s run on Uncanny X-Men, and who varies from “he’s great” to “he’s incomprehensible” when it comes to Hickman’s work, let’s just say I wasn’t too thrilled to see him attempt to bring Marvel’s mutants back to their former glory. Marvel’s pitch work, hyping up Hickman’s Powers of X and House of X as the “single most defining moment in X-Men history” struck me as way too overboard, and when I saw the sheer amount of charts in House of X‘s first issue, I rolled my eyes so hard that I thought they would fall out of my head. Read the rest of this entry